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WORKING ON GALLERY

A cat sits on a mat.

9/6/2020

 
The following essay was inspired by Hyejung Kook's zuihitsu 随筆 sentence. The original exercise was about 10 minutes, and in the RHINO Poetry Forum, all poets shared their lines from 5-second paragraphs of the 10-minute exercise. You may try this exercise even though I am a trained professional, you can still try this at home. 
Picture
"A Cat Sits On a Mat"

This is the first sentence ever I wrote in English. Probably, I wrote it more than one hundred times. My first English teacher was introduced by my sister’s kindergarten friend from East Asia (I do not remember where his family came from) and his mother taught us English twice a week in our cookie-cutter apartment in Japan.

 
A cat sits on a mat.
 
It was British English--I noticed it later when I started my exchange student life in Indiana--so my sister and I learned British English pronunciation, but shortly after, our new English teacher came from Australia. My pronunciation is somewhere between Japanese—British—Australian—American Mid-west, but I realized my spelling of the color, “grey”, is in British English.
 
In her class, we first practiced the pronunciation of ABC as /ə/ /b/ /k/. We drew, “a cat sits on a mat” in our notebooks. Usually my sister took longer than I did. Soon, I started decorating the cat and mat. My first cat had a bow tie with a new cat wearing a silk hat. There was a flower vase on the mat.
 
It is clearly no longer, “a cat sits on a mat”.
 
I drew food—chopsticks, bowls, and tea cups. I added furniture around the cat (and more cats). Eventually I designed a whole house for the original cat that sat on the first mat. Some colorful cats lied on the floor.
 
A blue cat sits on a mat.
 
Adding the word "blue" was the most exciting moment I still remember. My brain recognized connecting words with meanings. Despite not memorizing how to spell, I could say many colors and objects in English before she went back to her own country.
 
A cat sits on a mat.

In our first class, my nephew and nieces were repeating the same sentence with their crooked handwriting, but my nephew was quiet. He did not want to say the sentence nor draw it. 

​
"I don't understand your gibberish", he despaired, crying. His eyes wide open and raw like a small animal gnawing. He left our dining table and went to the corner, holding his paper.

A cat sits on a mat.
A cat sits on a chair.
A cat sits on a table. 


"Is it bad manners?" my nieces laughed in Japanese, so I laughed too. After the class, they kept drawing and adding things around the original cat like I did nearly thirty years ago. My nephew came back and slammed his paper on the table, showing a gigantic purple cat sitting on the tiniest green mat. Then, they started chasing each other.

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  • Books
    • Poetry >
      • Mother Said, I Want Your Pain
      • We Face The Tremendous Meat On The Teppan
      • GLYPH: Graphic Poetry = Trans. Sensory
      • Where I Was Born
      • Cochlea
      • Silver Seasons of Heartache
      • Home, No Home
    • Translation >
      • of women
      • 09/09 : Nine Japanese Female Poets / Nine Heian Waka
    • Textbook >
      • Marvels
      • The Rose Metal Press Field Guide to Graphic Literature
  • Graphic Poetry
    • What is Trans. Sensory
    • Gallery of Graphic Poems
    • Teppan Text Collage
    • Listen to graphic poems
    • 31 Facts about GLYPH
    • Warashibe Documentary >
      • First Erasure
      • First Found Poem
    • Study Guide >
      • Create a first graphic poem
      • How to Approach Image
      • line-breaks
      • Visual Erasure Poetry
  • Working On Gallery
    • Vol. 8 >
      • Mohamed Abdel-Rassoul
      • Mona Khattab
    • Vol. 7 >
      • 1 John Burgess (J.B.)
      • 2 J.B. Poetry Comics
      • Marci Vogel
      • Irene Adler
      • Yuka Tsuchiya
      • Susan Preston
      • Camila Valladares
    • Vol. 6 >
      • Rosanna Young Oh
      • Rowena Federico Finn
      • Jesse Kercheval
      • Natalia Carrero
      • Genevieve Kaplan
      • Maggie Queeney
      • Katrina Bello
      • Heather Beardsley
    • Vol. 5 >
      • Lisa Schantl
      • Danielle Pieratti
      • Karla Van Vliet
      • m. mick powell
      • Lauren Ari
      • Robert Lifson
      • Marcello Sahea
      • Allan Haverholm
    • Vol. 4 >
      • Angela Quinto
      • Dennis Avelar
      • Anne McGrath
      • Francesca Preston
      • Kelsey Zimmerman
      • Lúcia Leão
      • Claire Bauman
      • Ann Hudson
    • Vol. 3 >
      • Tanja Softić
      • Kylie Gellatly
      • Ananda Lima
      • Lea Graham
      • Jennifer Sperry Steinorth
      • Ina Cariño
      • Aaron Caycedo-Kimura
      • Steven and Maja Teref
    • Vol. 2 >
      • Celia Bland and Kyoko Miyabe
      • Gail Goepfert and Patrice Boyer Claeys
      • Scoot Swain
      • Nancy Botkin
      • Amanda Earl
      • Meg Reynolds
      • Gretchen Primack
      • Frances Cannon
    • Vol. 1 >
      • Octavio Quintanilla
      • Luisa A. Igloria
      • Sarah Sloat
      • J. D. Schraffenberger
      • Natalie Solmer
      • Dara Yen Elerath
      • Kristen Renee Miller
      • Rodney Gomez
  • Translation
    • Conveyorize Art of Translation
    • Waka/Haiku Workshops
    • 和歌英訳
  • About