Working On Gallery
When I saw Octavio Quintanilla's visual poems, I was stunned by how he freely melded Spanish, English, and his cultures in his visual presentation. There were no boundaries in his work. He wrote short personal essays in English and expressed his visual essences with Spanish words - - he endlessly explores and shows his poetic world.
His visual poems reminded me how to be myself. I am a Japanese woman, but I tried to write or draw like someone else for a long time - - I wanted to write poems like Louise Glück, paint like Paul Cézanne, or make visual pieces like Anselm Kiefe. In this way, I tried to push away my Japanese identity; perhaps, I wanted to be a perfect English speaker or writer.
I totally forgot how much my culture is apart of me. Don't hide. I am thankful that Quintanilla brought me back.
I will be reading his piece (the following) in my Twitter for my daily challenge.
His visual poems reminded me how to be myself. I am a Japanese woman, but I tried to write or draw like someone else for a long time - - I wanted to write poems like Louise Glück, paint like Paul Cézanne, or make visual pieces like Anselm Kiefe. In this way, I tried to push away my Japanese identity; perhaps, I wanted to be a perfect English speaker or writer.
I totally forgot how much my culture is apart of me. Don't hide. I am thankful that Quintanilla brought me back.
I will be reading his piece (the following) in my Twitter for my daily challenge.
Visual Poem by Octavio Quintanilla - - "The FRONTEXTO, however, was born on January 1, 2018, when I embarked on a creative journey to combine text and image and explore visual poetry (frontexto is a blend of frontera and texto, border/text). Since that day, I have been sharing a frontexto every day on my social media platforms." - - San Antonio Public Library
By Octavio Quintanilla
This following essay transformed itself in each revision. Just kept changing because, in the end, I didn't want to write a "traditional" sort of essay. So, I started taking notes as if I were creating a frontexto, and indeed, three frontextos came out of that process.
This following essay transformed itself in each revision. Just kept changing because, in the end, I didn't want to write a "traditional" sort of essay. So, I started taking notes as if I were creating a frontexto, and indeed, three frontextos came out of that process.
Visual Poem by Octavio Quintanilla - - "These Frontextos are part of “Los días oscuros” (Dark Days), a Frontexto series I started when San Antonio, TX went into quarantine due to Corona-19. This series chronicles, overall, these days of illness, social unrest, and yes, also our days of hope and light." - - St. Philip's College
Octavio Quintanilla is the author of the poetry collection, If I Go Missing (Slough Press, 2014) and served as the 2018-2020 Poet Laureate of San Antonio, TX.
His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as Salamander, RHINO, Alaska Quarterly Review, Pilgrimage, Green Mountains Review, Southwestern American Literature, The Texas Observer, Existere: A Journal of Art & Literature, and elsewhere.
His Frontextos (visual poems) have been published in Poetry Northwest, Gold Wake Live, Newfound, Chachalaca Review, Chair Poetry Evenings, Red Wedge, The Museum of Americana, About Place Journal, The American Journal of Poetry, The Windward Review, Tapestry, Twisted Vine Literary Arts Journal, & The Langdon Review of the Arts in Texas.
Octavio’s visual work has been exhibited at the Southwest School of Art, Presa House Gallery, Equinox Gallery, the Weslaco Museum, Aanna Reyes Gallery in San Antonio, TX, Our Lady of the Lake University, AllState Almaguer art space in Mission, El Centro Cultural Hispano de San Marcos, The Walker’s Gallery in San Marcos, TX, and in the Emma S. Barrientos Mexican American Cultural Center / Black Box Theater in Austin, TX.
He holds a Ph.D. from the University of North Texas and is the regional editor for Texas Books in Review and poetry editor for The Journal of Latina Critical Feminism & for Voices de la Luna: A Quarterly Literature & Arts Magazine. Octavio teaches Literature and Creative Writing in the M.A./M.F.A. program at Our Lady of the Lake University in San Antonio, Texas.
Instagram @writeroctavioquintanilla
Twitter @OctQuintanilla
His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as Salamander, RHINO, Alaska Quarterly Review, Pilgrimage, Green Mountains Review, Southwestern American Literature, The Texas Observer, Existere: A Journal of Art & Literature, and elsewhere.
His Frontextos (visual poems) have been published in Poetry Northwest, Gold Wake Live, Newfound, Chachalaca Review, Chair Poetry Evenings, Red Wedge, The Museum of Americana, About Place Journal, The American Journal of Poetry, The Windward Review, Tapestry, Twisted Vine Literary Arts Journal, & The Langdon Review of the Arts in Texas.
Octavio’s visual work has been exhibited at the Southwest School of Art, Presa House Gallery, Equinox Gallery, the Weslaco Museum, Aanna Reyes Gallery in San Antonio, TX, Our Lady of the Lake University, AllState Almaguer art space in Mission, El Centro Cultural Hispano de San Marcos, The Walker’s Gallery in San Marcos, TX, and in the Emma S. Barrientos Mexican American Cultural Center / Black Box Theater in Austin, TX.
He holds a Ph.D. from the University of North Texas and is the regional editor for Texas Books in Review and poetry editor for The Journal of Latina Critical Feminism & for Voices de la Luna: A Quarterly Literature & Arts Magazine. Octavio teaches Literature and Creative Writing in the M.A./M.F.A. program at Our Lady of the Lake University in San Antonio, Texas.
Instagram @writeroctavioquintanilla
Twitter @OctQuintanilla
Visual Poem by Octavio Quintanilla
December 13, 2020
