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WORKING ON GALLERY

Untraditional Process

12/13/2020

 
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Visual Poem by Octavio Quintanilla - - "The FRONTEXTO, however, was born on January 1, 2018, when I embarked on a creative journey to combine text and image and explore visual poetry (frontexto is a blend of frontera and texto, border/text). Since that day, I have been sharing a frontexto every day on my social media platforms." - - San Antonio Public Library
When I saw Octavio Quintanilla's visual poems, I was stunned by how he freely melded Spanish, English, and his cultures in his visual presentation. There were no boundaries in his work. He wrote short personal essays in English and expressed his visual essences with Spanish words - - he endlessly explores and shows his poetic world.

His visual poems reminded me how to be myself. I am a Japanese woman, but I tried to write or draw like someone else for a long time - - I wanted to write poems like  Louise Glück, paint like Paul Cézanne, or make visual pieces like Anselm Kiefe. In this way, I tried to push away my Japanese identity; perhaps, I wanted to be a perfect English speaker or writer.

I totally forgot how much my culture is apart of me. Don't hide. I am thankful that Quintanilla brought me back.

I will be reading his piece (the following) in my Twitter for my daily challenge.
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Visual Poem by Octavio Quintanilla - - "These Frontextos are part of “Los días oscuros” (Dark Days), a Frontexto series I started when San Antonio, TX went into quarantine due to Corona-19. This series chronicles, overall, these days of illness, social unrest, and yes, also our days of hope and light." - - St. Philip's College
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​By Octavio Quintanilla

​This following essay transformed itself in each revision. Just kept changing because, in the end, I didn't want to write a "traditional" sort of essay. So, I started taking notes as if I were creating a frontexto, and indeed, three frontextos came out of that process.
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Octavio Quintanilla is the author of the poetry collection, If I Go Missing (Slough Press, 2014) and served as the 2018-2020 Poet Laureate of San Antonio, TX.

His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as Salamander, RHINO, Alaska Quarterly Review, Pilgrimage, Green Mountains Review, Southwestern American Literature, The Texas Observer, Existere: A Journal of Art & Literature, and elsewhere.

His Frontextos (visual poems) have been published in Poetry Northwest, Gold Wake Live, Newfound, Chachalaca Review, Chair Poetry Evenings, Red Wedge, The Museum of Americana, About Place Journal, The American Journal of Poetry, The Windward Review, Tapestry, Twisted Vine Literary Arts Journal, & The Langdon Review of the Arts in Texas.   
 
Octavio’s visual work has been exhibited at the Southwest School of Art, Presa House Gallery, Equinox Gallery, the Weslaco Museum, Aanna Reyes Gallery in San Antonio, TX, Our Lady of the Lake University, AllState Almaguer art space in Mission, El Centro Cultural Hispano de San Marcos, The Walker’s Gallery in San Marcos, TX, and in the Emma S. Barrientos Mexican American Cultural Center / Black Box Theater in Austin, TX.

He holds a Ph.D. from the University of North Texas and is the regional editor for Texas Books in Review and poetry editor for The Journal of Latina Critical Feminism & for Voices de la Luna: A Quarterly Literature & Arts Magazine.  Octavio teaches Literature and Creative Writing in the M.A./M.F.A. program at Our Lady of the Lake University in San Antonio, Texas.

Instagram @writeroctavioquintanilla
Twitter @OctQuintanilla
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Visual Poem by Octavio Quintanilla

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  • Books
    • Poetry >
      • We Face The Tremendous Meat On The Teppan
      • GLYPH: Graphic Poetry = Trans. Sensory
      • Where I Was Born
      • Mother Said, I Want Your Pain
      • Cochlea
      • Silver Seasons of Heartache
      • Home, No Home
    • Translation >
      • of women
      • 09/09 : Nine Japanese Female Poets / Nine Heian Waka
    • Textbook >
      • Marvels
      • The Rose Metal Press Field Guide to Graphic Literature
  • Graphic Poetry
    • What is Trans. Sensory
    • Gallery of Graphic Poems
    • Teppan Text Collage
    • Listen to graphic poems
    • 31 Facts about GLYPH
    • Warashibe Documentary >
      • First Erasure
      • First Found Poem
    • Study Guide >
      • Create a first graphic poem
      • How to Approach Image
      • line-breaks
      • Visual Erasure Poetry
  • Working On Gallery
    • Vol. 7 >
      • Irene Adler
      • Yuka Tsuchiya
      • Susan Preston
      • Camila Valladares
    • Vol. 6 >
      • Rosanna Young Oh
      • Rowena Federico Finn
      • Jesse Kercheval
      • Natalia Carrero
      • Genevieve Kaplan
      • Maggie Queeney
      • Katrina Bello
      • Heather Beardsley
    • Vol. 5 >
      • Lisa Schantl
      • Danielle Pieratti
      • Karla Van Vliet
      • m. mick powell
      • Lauren Ari
      • Robert Lifson
      • Marcello Sahea
      • Allan Haverholm
    • Vol. 4 >
      • Angela Quinto
      • Dennis Avelar
      • Anne McGrath
      • Francesca Preston
      • Kelsey Zimmerman
      • Lúcia Leão
      • Claire Bauman
      • Ann Hudson
    • Vol. 3 >
      • Tanja Softić
      • Kylie Gellatly
      • Ananda Lima
      • Lea Graham
      • Jennifer Sperry Steinorth
      • Ina Cariño
      • Aaron Caycedo-Kimura
      • Steven and Maja Teref
    • Vol. 2 >
      • Celia Bland and Kyoko Miyabe
      • Gail Goepfert and Patrice Boyer Claeys
      • Scoot Swain
      • Nancy Botkin
      • Amanda Earl
      • Meg Reynolds
      • Gretchen Primack
      • Frances Cannon
    • Vol. 1 >
      • Octavio Quintanilla
      • Luisa A. Igloria
      • Sarah Sloat
      • J. D. Schraffenberger
      • Natalie Solmer
      • Dara Yen Elerath
      • Kristen Renee Miller
      • Rodney Gomez
  • Translation
    • Conveyorize Art of Translation
    • Waka/Haiku Workshops
    • 和歌英訳
  • About