During the COVID-19 isolation, my schedule had been canceled and changed, so I meditated with drawing flowers. But soon I got bored, as if I had the same miso-soup every meal. It did not matter how I changed the ingredients. Miso-soup tasted like miso-soup. My flower paintings were my flowers…nothing excited me.
Around that time, I was introduced to Sophie Lucido Johnson from RHINO Poetry Editor, Nick Tryling. Both jointed RHINO *graphic* Reviews Vol.2 in September, 2020.
Sophie reviewed Unslakable (Paper Nautilus) by Rage Hezekiah. Sophie's art style was simple yet warm, and I love how she played with colors. Her style reminded me of my favorite children book's illustrations -- Matilda by Roald Dahl -- and many other illustrations by Quentin Blake.
When I was preparing for the graphic issue, I also learned that she painted many objects such as flowers, mushrooms, animals, and cookies in her blog with her lovely articles. Some topics were like "How to Make A Little Book" & "How to Make Your Life Swole With A Page-A-Day Diary", which were all fun to read. So, I asked her to teach me how to draw flowers and she kindly had me for her art lessons.
The Art Institute of Chicago currently holds Claude Monet's exhibition. He was the master of painting light. (I learned and heard that a million times.) It was so different until I forced myself to think about - - borrowing Sophie's word - - the white illusion of natural light.
Here are pictures Before and After. I am more aware of where the light hits. And soft colored pencils (thanks, Angela Narciso Torres!) are perfect to collaborate with these effects. I took in so many details watching and observing Sophie's technique though the zoom lens.
I am currently working on an English writing textbook for young Japanese children, so I will be upgrading my CAT drawing skills (maybe my cartoon RHINO too). Yes, Cats will be the navigators for how to write essays in English.